2000 | paperback | 184 pages
From his provocative Cover Girl series featuring photographic portraits of himself on the covers of popular magazines, to his writings on sexuality and identity, the work of Nigerian-born Iké Udé explores a world of dualities: African/postnationalist, photographer/performance artist, artist/spectator, male/female, mainstream/marginal, seduction/narcissism, and fashion/art.
As an artist from Nigeria working in New York City, connected to the world of fashion and celebrity, Udé gives the political aspects of performance and representation a new vitality, melding his own theatrical selves and multiple personae with his art. Like Andy Warhol, Udé plays with the ambiguities of the marketplace and art world, particularly in his notorious art, culture, and fashion magazine, aRUDE.
This book is the first comprehensive publication on Udé's photography.