Pourquoi naître esclave (Why born a slave) is the name given by sculptor and painter Jean-Baptiste Carpeaux (1827-1875) to a series of busts he created around 1870. At the heights of his career, enjoying the protection of Napoleon III, Carpeaux was commissioned by the city of Paris to design the Fontaine de l’Observatoire and slightly modified the theme imposed on him – the four cardinal points – by replacing them with allegoric characters personifying Europe, Africa, Asia and America. While he was working on the representation of Africa, he came up with the idea of the bust of the Négresse Captive. Obsessed with faithful representations of human movement, he sculpted his slave at an angle in order to express revolt. The story goes that the woman who posed for the bust might have also been the model of the “Capresse des colonies” by Charles Cordier in 1861.
Well aware of the richness of its history, Maison Trudon has asked the Réunion des Musées Nationaux (the French National Museum Council) to be granted the rights of reproducing in was some jewels from its Molding Workshop catalogue. Trudon introduces today the busts of characters or symbols of the French History, a very precious theme for the company which used to be the Manufacture Royale de Cire.